Self Reflection: I think that the strongest point of my essay, or the point that I am most pleased with, is the ability to take a concept that we learned about in class and to further apply it directly to this assignment. I am pleased with the fact that I was able to see the .22 Winchester and the white sails in the Chesapeake as forms of metonymy within both autobiographies. I think that, as always, I have most likely run into problems with run on sentences and perhaps a weak point when discussing the locational importance of freedom.
Within the two autobiographies written by Tobias Wolff and Frederick Douglass, there are several stylistic overlaps as well as a number of differences in content should the two books be compared directly. One thing that is absolutely true for both writers, is that the use of the concept of freedom in several aspects is apparent throughout both autobiographies. In each book, the use of freedom can be seen on both a conceptual level, as well as a symbolic level after delving a bit deeper into the meaning behind the words. In regards to the actual meat, or content of each book, freedom can be seen in structural aspects such as location and specific characters and the roles that these characters played in the narrator’s lives.
In the broadest of categories, the issue of freedom as a central theme can be found in the actual craft behind the construction of each autobiography. In writing his story, Douglass takes a huge risk in the simple undertaking of writing a truthful tale of his escape from slavery. While he has his social freedom during the writing process, he still lacks the freedom to truly write every detail of the truth behind his escape. Douglass is a slave who defies all stereotypes of the typical early American slave. He can not only read and write, but his mind works in ways that have far surpassed the mental capabilities of the average slave. If he were to write every last detail of his years in slavery followed by the years up to the creation of his autobiography, he would publicly and formally remove himself from those stereotypes, making his story – despite being true – exceptionally unlikely and difficult to believe from the point of view maintained by the general public. He is restricted not only in this sense, but also lacks the freedom to disclose exact details pertaining to his escape from slavery for fear that he would endanger slaves attempting to escape during the time of his writing. In Douglass’ case, the truth will not set him free, but is instead a huge factor of hinderance to his construction of his autobiography.
In Wolff’s case, he is able to extract a relatively healthy amount of freedom through the writing process itself. His autobiography is structured as a memoir and serves as a way for Wolff to reinvent himself as an adult and to perhaps make sense of his childhood experiences. Wolff explains the writing process of this particular memoir as a series of memories of his life, some which he admits to be factually contested by his mother, but nevertheless, publishes as a true event. Unlike Douglass, Wolff is not bound by the necessity to pick and choose which specific events he chooses to retell in his autobiography, and does so as a means to express himself as an adult writing a book primarily in hindsight and with the ability to use that hindsight to freely make sense of those experiences.
Aside from the actual writing process of each autobiography, both books share a conceptual aspect of freedom that manifests itself within the same category. For both Wolff and Douglass, education served as a central point of freedom to both authors, but for different reasons respectively. For Douglass, education quite literally meant freedom in the sense that by becoming an educated slave, he could very easily read and write his way to freedom through various avenues that literacy would open. His eventual education which he obtained through less than traditional means was the catalyst which gave him his social and eventual legal freedom. For Wolff, education in the form of the Hill School was a serious source of escape and freedom for him. Upon being accepted and further given this specific academic opportunity, Wolff was not only able to escape the abusive throes of Dwight, and the cyclical patterns of his mother’s dependency issues, but he was also able to break free just for a moment from his own bleak looking future. In leaving the miserable town that is Concrete, Wolff was suddenly presented with a startlingly vast new opportunity in the form of education. Suddenly he had the chance to reinvent himself and to start over in a new, healthy and cultivating environment at the Hill School and was free to be the good boy that his conscious had always nagged him to become.
For both authors, each encountered a specific character who was particularly oppressive to them at some point in their lives. For Toby, this character was his mother’s on again off again boyfriend, Dwight. Before Toby entered high school, his mother uprooted him form his current home and moved up two hours away to live with Dwight and his children to “try it out,” and get used to the idea of he and his mother living there permanently. Away from his mother’s protective eye, Dwight became a crazed tyrant, occupying Toby’s time just for the sake of occupying it, stealing his rightfully earned money and certainly created some semblance of psychological abuse. Dwight was very much a character that represented oppression to Toby, and was literally the antithesis of freedom. In a similar sense, but on a much more severe scale, Douglass encountered his most oppressive and restrictive individuals when he met Covey who’s sole job was to be a “sprit breaker” for the slaves. Covey and Douglass engaged in a dramatic physical altercation spurred on by deep, seething and rightfully aimed hatred on behalf of Douglass. Covey, and Dwight were individuals who managed to personally restrict the freedom of either Toby or Douglass, and it was not until both authors managed to leave these repressive people in their wakes did they finally experience freedom from oppression. Unfortunately for Douglass, this was really only one of the first steps towards freedom from oppression, but nevertheless, it was a sizable step.
Aside from specific characters playing key roles in oppression and freedom within This Boy’s Life and the Narrative of the life of Frederick Douglass, location also played a big role towards each character’s feelings towards freedom. For Toby, the most freedom that he felt while growing up always seemed to take place whenever he was on the road with his mother, traveling to a new place to start over. Toby seemed to derive freedom less from the actual idea of motion, but more from the fact that he was there, alone in a car with his mother in which he had her undivided attention and the chances of someone hurting her were unlikely. The comfort which he felt in knowing that he was alone with his mother combined with the understanding that the two of them were going to start over together somewhere new, was a euphoric feeling of freedom for Toby. For Douglass, the location that lead him to feel the most freedom, was during his time spent in the city of Baltimore. While in Baltimore, he was away from the fields, the slave drivers, the hours of manual labor during daylight hours. He could be a new person in Baltimore and to him, it was a taste of what freedom would eventually feel like once he made the tricky journey north to New York City.
While each author manages to use things that are central to most books such as characters and locations to play a part in conveying an underlying theme, both also managed to use a different type of literary device to do so. Both Wolff and Douglass used a type of metonymy within their pages, both of which managed to hint at themes of freedom. Toby goes to a great deal of trouble to discuss his gun and to explain every aspect of it, from how it looked to how it felt to how it made him feel. He focused so heavily on his .22 Winchester rifle that it became clear to the reader that this gun was much more than just a firearm to him. To Toby, that gun was a source of psychological freedom as it allowed him to disappear somewhere into the depths of his imagination even if it were just for a moment such as when he would “[march] around the apartment with it, striking brave poses in front of the mirror.”(24) While he was holding that rifle, or cleaning it, or even just looking at it, Toby was free. At one point, he explains that “Fearlessness in those without power is maddening to those who have it.” Through this brief explanation, we can see how Toby saw himself to be the wielder of power whenever he held that Winchester in his hands, and through his imaginary power, he was then free. He was free to imagine any type of scenario he could think of and during those few sweet moments when he had receded into the back of his own mind, he was truly feeling as if he was free from all that was around him. Like Toby, Douglass also focuses in on an object that represents freedom to him, but chooses to do so on a far less combative object. Douglass fixates on the white sails that he sees coming in and out of the harbor, imagining their voyages, imagining their crews and cargo and imagining the freedom that comes with a sailing ship itself. In staring at those sails, Douglass sees nothing but a cruel reminder of his “wretched condition,” (284) and would silently watch from the banks “with saddened hart and tearful eye, the countless number of sails moving off to the mighty ocean.” (284) He described the ships to be draped in “the purest white” perhaps eluding to Douglass’ association of purity to freedom, but never explicitly explains that the sails signify some degree of freedom to him, however makes it cure that they certainly carried a sever subliminal and subconscious weight within his mind.
It is no great feat to incorporate an overarching theme to any type of book, however to do so within so many different facets of the writing process is worth noticing. The ways in which Wolff and Douglass managed to weave the idea of freedom into not only the content of their autobiographies, but also into the very writing style is certainly worthy of applause.
I pledge my honor that I have completed this work in accordance with the Honor Code.